Avenue de la Libération - but yes I would think easy to miss in the dark. There seems to be a slip road off immediately after the first roundabout after coming up the hill from the port, (before you actually get to the sign that says "Carrefour!) and then another one further along the D485, opposite the water towers and just before the roundabout where Lidl is.
Useful for the future, though as mentioned I have always erred on the side of caution and filled up the bike in Newhaven.
Re: Post 25
I remember it from the early 60’s when I was about 7 and we used to have four car loads going down from near Doncaster to fish in the Newark Dyke setting off before dawn. As a kid who used to watch “Sea Hunt” starring Mike Nelson it always reminded me of a Manta Ray.
Still there the last time I used the A1 which would be just before we moved to France (over 6 years now). When coming back to Sheffield via the tunnel we always found M11 / A14/A1 from the M25 preferable to the M1.
Though not sure Mondrian would have approved of the choice of colours - strictly primaries in his Neoplastic works, apart from a bit of green in the early days…
Really? I think you are wrong about that too.
Think we need a bit more detail on that response.
I suggest you look at your gender confusion.
I think you need your eyesight checked.
What’s that got to do with Mondrian or Neoplasticism?
What’s with all this aggression? I liked your petrol station - just made a comment about the secondary colours not fitting with Mondrian’s philosophy
Maybe time you retired for the evening…
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David, reel your neck in a bit, old chap.
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The one in our village, Cenac, just S of the Dordogne near Sarlat takes some beating. It is owned by Carrefour, there is a decent Carrefour Contact over the road. It is open 24/7 and prices are very reasonable, in fact they’re lower than at the big Carrefour Market in Sarlat. Card payments only.
It was a comment about colours. The colours in the photo are correct.
No one’s questioning that - my point was that Mondrian and de Stijl didn’t approve of secondary colours - thought they were’ impure’ (these beliefs go back to C19th Theosophy - Mondrian, like Kandinsky had been a Theosophist) and before Theosophy there had been Goethe’s Farbenlehre colour theory, which at the time was more influential than that of Newton, as the latter didn’t seem to have any practical applications.
By contrast, today I flip between CMYK (Goethe) and RGB (Newton) according to how I want to output something.
